Sometimes authors need to be a part of a larger community, to support each other and share information. Self Publishing Australia is a worthy effort to create a venue where authors post frequently on a range of topics. To join the group, go here and apply
A Realm of Superheroes with Alisa Beagley
Alisa Beagley writes and illustrates action-packed books set in a world of superheroes and supervillains. Her latest book, Clash of the Powers is out soon and follows on from Captives of the Killer and Second Chances.
Alisa promotes and sells her books via her well-designed and informative website.
Abdi Aden's Lost-Cost Tips for Promoting Your Books
Abdi Aden, author of Shining and Yes I Can is very successful at promoting his books. Here are a few suggestions from him based on his experiences:
My PR is very basic and low budget.
Word of mouth anywhere you can, such as my kids’ basketball, take-away shops, public places.
Schools I visit and speak at.
Making t-shirts.
Websites, also other book-sellers
websites.
Calling places saying “I have a book.” For example, some writers festivals, and also Dymocks Camberwell runs a book night every November for self-publishers.
Social media like Instagram, Facebook, Twitter and LinkedIn.
Also learn when new social media come up like Snapchat.
Find small festivals, such as Clunes — self-publishers do well there. People attend from all over the world,
Why Seventy Percent Might Be Good Enough
Oliver Burkeman is at the more contemplative, philosophical and forgiving end of the self-help spectrum. No harsh admonitions, self-scarification and guilt-tripping from him. In this piece, he argues that near enough is often more than good enough, and a way of moving on to other things. A very relevant principle for writers trapped in an endless cycle of tweaking, restructuring and re-writes.
“Moving forward at 70% takes more guts, more strength of character, than holding out for 100%, because it entails moving forward amid uncertainty, anxiety, and the disagreeable feeling that comes with putting less-than-perfect work into the world.”
Sign up to his interesting newsletter here.
Visual Storytelling for Authors
How to Engage Readers Through Graphics and Design
Eleanor Hecks discusses the importance of graphic design in enhancing the reader experience:
Authors live in an age where attention spans are dwindling and competition for readers is fiercer than ever. Today, readers crave stories that capture their imagination while captivating their senses.
For writers and book designers, this is where visuals become a must-have tool for deepening engagement and enhancing the storytelling experience. Whether through a book cover or carefully crafted book opener, graphics and design can amplify a narrative’s impact, making it linger long after the final page.
What Visual Storytelling Is and Why It Matters
Visual storytelling is the art of conveying a narrative through images, typography and design. It goes beyond the written work, enhancing a story’s emotional impact and immersing readers in its world. For authors, visual storytelling is the connection between content and experience. It creates a richer, more engaging passage for readers.
In publishing today, this system has become increasingly important. Consider that publishers and independent authors sold over 767 million print books in 2023. When you factor in e-books, the figure climbs even higher. With so many options available, authors must find ways to stand out, and designs are one way to achieve that.
Visual storytelling is crucial because it fits the human brain’s natural preference for visuals. Humans prefer graphics over text because of a phenomenon called picture superiority, which psychologist Allan Paivio studied. According to Paivio’s dual coding theory, humans store visuals in two ways — as an image and as a word or phrase that describes the image.
In contrast, humans only store words as verbal representations. This means images are inherently more memorable, making visual storytelling better for capturing and holding readers’ attention. By integrating visuals into books, authors can create more relatable narratives on multiple levels.
Key Components of Visuals in Books
When adding images to content, authors create an experience that complements and enhances the narrative. Understanding the key components of graphics can create lasting impressions on readers. Success depends on the type of experience created, as 80% of consumers now consider it to be just as important as the quality of the product when making future purchasing decisions.
To give readers what they want, the visuals must contain various components, including:
Typography
Illustrations and graphics
Color theory
Layout and white space
Cover design
Carefully combining each of these elements enables writers to produce books that are visually appealing and emotionally impactful.
How Authors Incorporate Graphics and Design
Today's authors find creative ways to weave graphics and design into their storytelling, making books more dynamic and engaging. In fiction, many successful authors add maps to orient readers in complex fantasy worlds or use character illustrations to breathe life into protagonists.
In nonfiction, authors leverage images like infographics, charts and diagrams to simplify complex ideas and present data in a digestible format. For memoirs and biographies, authors typically include personal photos or handwritten notes to add authenticity and emotional resonance. By incorporating visuals strategically, they can enhance the reader’s connection to the content while making their books distinctive.
Ways to Engage Readers Through Graphics and Design
The following strategies offer ideas for authors and designers to use graphics and design elements to captivate readers.
1. Leverage Beautifully Illustrated Covers
An evocative cover is a great way to capture potential readers at first glance. The new Game of Thrones covers’ design perfectly exemplifies this. The series “A Song of Ice and Fire” uses traditional linocut art to create intrigue about the world the reader is about to enter. The covers perfectly capture Westeros and the danger that lurks within it, garnering attention and setting the tone for the epic narratives.
2. Design Immersive Chapter Openers
Whimsical chapter headers or illustrations can provide readers with visual cues. Such elements offer a glimpse into upcoming events, building anticipation and enriching the storytelling experience.
3. Add Visual Easter Eggs
Inconspicuous visual elements that follow the story’s plot or characters can delight attentive readers. These hidden gems encourage deeper engagement, as readers feel rewarded for their attention to detail.
4. Use Pull Quotes and Decorative Elements
Impactful lines with elegant designs draw the reader’s eye to significant moments. This technique spotlights key passages, amplifying their emotional connection and making them more memorable.
5. Experiment With Text Layouts
Creative typography can accentuate pivotal moments or emotions within the narrative. Authors can deliver intensity, urgency or tranquility by varying text placement and style, adding another dimension to the reading experience.
Turning Stories into Immersive Reading Experiences
Authors must use visual storytelling through graphics and design to connect with today’s readers. Visual storytelling elevates a book from a story to an unforgettable reading experience. As readers increasingly value the experience a book provides, investing in visual storytelling is a strategic creative choice. Start experimenting with visuals to convert stories into ones that readers will cherish.
Eleanor Hecks is a writer and web designer who is passionate about helping other writers grow their online presence. Her work can be found on her site Designerly, as well as publications such as IndependentPublishing.com and I Need a Book Cover.
A Philhellene Writes
Independent author Tony Whitefield has been profiled by the Greek Herald. Tony explains how his love for Greek culture, landscape and history led to him writing several works on history and fiction.
““I never ever thought that I could write a novel,” Tony said.
I’m a great believer that anyone can write, and having been a high school teacher for years, I thought, well I’ve written lots of articles, listing things and curriculum things and I’ve completed a master’s thesis and a PhD, so I just wanted to take that next step and commence writing.”
The 64-year-old said what he loved most about writing was the “aha moments.”
“I just love when I’m focused on such miniscule things and I can’t work out how to construct something, so I go away and clear my mind. Then, when I come back and start typing, it clicks,”
What is a Business Book For
Business coach , author and social media expert Andrew Ford gives his take on the purpose of a business book:
“A book is a great resource as it establishes the author as an expert on the topic and someone who has a lot of intellectual property. The books we create with clients are all to support their existing businesses and not to sell as a way to independently make revenue. The amount of book sales necessary to get a return on investment of your time, effort and money to create a book, isn’t worthwhile. We make the returns from speaking, consulting and coaching clients based on the materials in the book. “
Andrew’s latest book detailing his 12-step e-ttraction method is out now.
Ampersand Prize is open to Self Published Titles
If you write or publish in the YA or middle grade space, you might be interested in entering Hardie Grant’s Ampersand Prize. Details below. Dates are for 2024 — no doubt the 2025 dates will be similar.
Eligibility
We accept submissions from any person who has not previously had a young adult, middle-grade or graphic novel published by a trade publishing house anywhere in the world. If you have had a picture book, general fiction (for adults), educational or non-fiction title published, you are still eligible. Submissions must be entered at Submittable.com (link will become live July 1) and all required fields must be completed before submission. Writers will be required to submit a one-page synopsis with their manuscript, as well as a 100-word explanation of why they wrote the book (used only for context).
If you are a self-published author, you are eligible to submit a manuscript provided you follow submission guidelines, and note in your cover letter whether the submitted manuscript has been self-published already. If it has, please remove it from sale for the duration of the Ampersand Prize (from 1 July 2024 until the shortlist is announced). By entering your manuscript, you agree to contract all publishing rights, including print and digital, if selected as the winner. Note that we do not accept ePub or Mobi files as submissions.
Key dates:
Submissions open: 1-31 July 2024
Shortlist announced: November 2024
Winner announced: December 2024
Doing Your Comp Research
Serious independent authors spend time checking out their competitors, the so-called ‘Comps’ or comparable titles. It is a great way of getting a sense of a particular genre, prevalent trends, the key cover design elements that signal a particular fictional niche. A writer should have a good idea of their specific target readers — and, spoiler alert, it is not ‘anyone who can read’. If you have read a lot in the genre you are writing in (always a good idea), you will already have a fairly good idea of how your title/s relate to the existing literary landscape. Making a list of comparable titles, whether bestsellers or midlist, can also be helpful for book cover designers looking to get a more specific feel for your title. At the same time it gives the author a better sense of the overall commercial literary landscape.
Value of Book Cover Design
Author services site Reedsy conduct a semi-scientific test into the relative marketing merits of a better designed cover. The signal seems pretty clear, though one would want to make such tests on a much larger scale to fully quantify the effectiveness. But of course there is a reason mainstream publishers invest a lot of effort into eye-catching genre-appropriate cover designs — it very much works, and catches the segment of the buying public interested in that specific kind of title.
Hemingway Award for Kathryn Gauci
Kathryn Gauci writes gripping historical novels set in Europe, with a particular focus on Greece, France and Turkey. She researches her work in great detail, often travelling to the regions in question, and picks up many online awards. She posts regularly on Facebook and Instagram, and has racked up thousands of reviews and ratings on Goodreads. She is an excellent example of the value of persistence, networking, participation in the online communities relating to her genre and cross marketing of her books.
Manuscript to Market: the life cycle of getting your book into print
by Susan Pierotti, writer, editor and proofreader.
Does a burning desire to write a book light a fire in your belly? Have you already begun to write but self-doubts have conquered your self-confidence? Do you have all the material ready to write but don’t know how to assemble it together?
I wrote Manuscript to Market to answer these very questions and more. I’m an editor who polished others’ books for publication. I never in a million years thought that I would write a book, yet I’ve now published four. I know what it feels like to write and then hand over my hours of inspiration (and perspiration) to someone else to get feedback from. Will they like it? Will they loathe it?
I wrote Manuscript to Market in response to a number of prompts.
The first came from a business colleague. He said if I was going into business as a book editor, I’d better write a book to show I knew what I was talking about. So, for all you businesspeople out there, let me tell you – writing a book is a business card on steroids! I have sold so many of my books to prospective authors and they now think I’m an expert.
Am I the only book editor around, or even the best? No, but I’m the only one they have met who can tell them what they need to know. This adds to my credibility and their reassurance. So, if you’re in business and want a product that does the marketing work for you, write a book. (How do you do that? Read mine!)
The second prompt came from my first-time author clients. They had great stories, engaging characters and dramatic plotlines, but few knew how to construct a good story arc with an appropriate pace, many didn’t know who they were writing for, and marketing ... well, isn’t that what the publisher does? Knowing how little some of these authors know about the book publishing world about understanding how they feel about their work motivated me to help them.
Every author I have worked with regards their book (rightly) as if it were their baby – precious, delicate, valuable. This gave me the structure for my book. From the birth of your baby (where the idea is in the head) to going to school (finding your editor) to dressing up (cover design, layout) and graduating (publishing), Manuscript to Market is a step-by-step guide to getting the idea in your head to a book in the hand.
Available at Susan’s website.
Manuscript Assessment Agency
If you have completed a first draft of your manuscript, but are unsure of the next step and need experienced guidance, the services of the Manuscript Appraisal Agency are worth considering. Their menu consists of the following:
In the highly competitive world of publishing, getting your manuscript read, assessed and/or edited can be the first step to finding success. The Manuscript Appraisal Agency can help you take those first publishing steps, getting your manuscript ready for agents, traditional publishers, and self-publishing.
We offer:
Manuscript Appraisals (assessments)
Editing (structural editing, copy editing and proof reading)
The MAA is an ethical service, not an entry point to a vanity press.
Australian Newsletter for Independent Authors
Thorpe-Bowker publishes an interesting newsletter on the independent publishing scene. Free subscription link here.
Working with a book cover designer
Author and traveller Jacqueline Hodder describes the process she went through in choosing a book cover designer (spoiler alert: she used WorkingType Design).
Maximizing Your Reach: Using Podcasts for Book Promotion
Guest Post contributed by Farlyn Lucas, Podcast Advertising.
Promoting your book can be a challenge. With the abundance of content available online, it can be difficult to get your book in front of the right people and generate buzz. This is where podcasts come in.
Podcasts have become increasingly popular, and there is no shortage of listeners. In fact, the number of podcast listeners increased by 15% during the COVID-19 lockdown in Australia, and an estimated 424.2 million listeners worldwide.
This presents a unique opportunity for independent authors and self-publishers to reach a wide audience and promote their books. With the right approach, podcasts can be an effective tool in maximizing your reach and promoting your book to a wider audience.
Benefits of Using Podcasts for Book Promotion
There are several benefits to using podcasts for book promotion. First, podcasts allow you to reach a targeted audience. You can connect with listeners who are already interested in your subject matter. This makes it more likely that they will be interested in your book as well.
Second, podcasts offer a more personal connection than other forms of marketing. When you appear on a podcast, you have the opportunity to talk directly to the listeners and engage with them in a way that is not possible with other forms of marketing. You can build trust with potential readers and increase the likelihood that they will purchase your book.
Third, podcasts can help to establish you as an expert in your field. When you appear on a podcast and share your knowledge and insights, you are demonstrating your expertise to the listeners. Through this, you can increase your credibility and build your reputation as an authority in your subject matter.
How To Get Started With Podcast Advertising
Podcast advertising can be a powerful tool for independent authors and self-publishers looking to promote their books and reach new audiences. Let’s cover the basics of how to get started with podcast advertising, including what you need to know, what to expect, and how to make the most of this promotional channel.
Step 1. Research Your Target Audience
The first step in finding the right podcasts for your book is to research your target audience. Consider who your book is written for and what their interests and hobbies are. What types of podcasts do they listen to? What topics are they interested in?
You can find podcasts that cater to their interests and may be more likely to feature your book.
Step 2. Research Popular Podcasts (or in your niche)
Next, look for podcasts in your niche or related to your book's topic. These podcasts are likely to have an audience that is interested in your book and may be more likely to share your book with their followers. You can use podcast directories such as iTunes, Spotify, and Stitcher and search podcasts in your niche.
Another way to find podcasts for your book is to check out popular podcasts in your genre or niche. These podcasts may have a large following and a large reach, which can be beneficial for your book promotion.
Step 3: Determine Your Advertising Budget
Next, determine your advertising budget. Podcast advertising can range from a few dollars per episode to hundreds of dollars per episode, depending on the popularity of the podcast and the length of your ad. Keep in mind that podcast advertising can be more cost-effective than traditional advertising methods, so it's important to determine what you're willing to spend.
Step 4: Connect with Podcasters
Once you've identified a few podcasts that you're interested in advertising with, it's time to connect with the podcasters. This can be done through social media or email. Be professional and respectful in your approach and clearly explain how your book fits into their audience's interests. If the podcaster agrees to work with you, they will likely provide you with specific instructions on what you need to do next.
Step 5: Create Your Ad
Your ad should be concise, attention-grabbing, and memorable. Most podcast ads are around 60 seconds long, so be sure to make the most of that time. Consider using humor, storytelling, or a unique angle to make your ad stand out. If you're not confident in your ability to create an effective ad, consider hiring a professional to help.
Step 6: Launch Your Campaign
Once your ad is ready, it's time to launch your campaign. This is when you'll start hearing your ad on podcasts and reaching new audiences. It's important to track your results and make adjustments to your campaign as needed. This may include adjusting your ad, changing the podcasts you're advertising with, or adjusting your budget.
Popular Podcasts for Independent Authors and Self-Publishers
The Self-Publishing Show
Hosted by veteran indie author, Dave Chesson, this podcast is perfect for self-publishers looking to learn more about book marketing, book promotion, and book design. Dave covers a wide range of topics, from ebook formatting to advanced book promotion strategies, making it a valuable resource for any indie author.
The Creative Penn
Host Joanna Penn is a bestselling author and entrepreneur who shares valuable insights and advice on publishing, marketing, and entrepreneurship. She covers a wide range of topics, including book design, book marketing, and the business of self-publishing, making this podcast a must-listen for indie authors.
The Writer's Well
Hosted by multi-published author, Christine Stinson, this podcast provides tips and insights into the writing and publishing process. Christine covers a wide range of topics, including writing techniques, publishing options, and book marketing, making this podcast a valuable resource for any Australian author looking to publish their book.
The Author's Journey
Hosted by best-selling author, J.A. Mellon, this podcast provides practical advice and inspiration for self-publishers. J.A. covers a wide range of topics, from writing and editing to book marketing and promotion, making this podcast a must-listen for any Australian author looking to take their publishing journey to the next level.
Final Thoughts
Using podcasts for book promotion can be a highly effective way to reach new audiences and promote your book. With the right preparation and research, you can find the right podcasts and make the most of your appearances. The podcast industry has experienced substantial growth, providing numerous and dynamic opportunities for book promotion. Regardless of whether one is a self-published or traditionally published author, the integration of podcasts into a comprehensive book promotion strategy is highly recommended.
An Amazon Tale: He Fought for His Royalties, and (Eventually) Won ....
A very dogged author relates his trying experiences with Amazon KDP and organising the payment of royalties. He does arrive at a solution, but only through sheer persistence:
“Amazon is probably the best outlet for Indie authors, but manage your expectations when dealing with their customer service.
Their help/assistance/advice to me was either inconsistent, vague, given in Amazon’s internal technical speak, incomplete, or simply wrong.
I put my latest novel up on Amazon as I did with my previous two, only this time, I put both eBook and paperback on all markets, not just Australia.
When sales started occurring, I followed those on my KDP account site. I found their reports informative and helpful. They gave me statistics for each marketplace and the estimated royalties.
When my Australian royalties started arriving in my Australian bank account by EFT, I thought I would find out why my sales in the other markets were not reaching me.
I then discovered those royalties could not be paid by EFT into my Australian bank account, only by cheque or wire. Then I found that not only could an EFT transfer not happen, but that Amazon had a withdrawal threshold of 100 units for each market, e.g. US$100, CA$100, €100, or £100.
None of my book royalties in any market outside Australia is ever likely to break these thresholds, e.g. Canada royalties were CA$2.88, Eurozone (Germany) €7.80. So, I put the question to Amazon – how do I ever get paid these royalties?
Amazon suggested I open an account with Payoneer for each marketplace, which I did. So, Amazon from each marketplace could now transfer my royalties to those Payoneer accounts. However, my problem then became twofold:
Payoneer does not have a banking arrangement with UK or Canadian banks. So these royalties could not be transferred to my Payoneer accounts.
Then I discovered that Payoneer also has a withdrawal threshold of US$50 per transfer.
Finally, a solution:
In your KDP account go to the Getting paid tab.
In your non-US/non-Australian accounts, change your payment method to your US$ account and transfer any outstanding royalties in those other non-US accounts to the US$ account.
Under your Amazon US account, click and highlight every tag except Amazon.com.au.
All royalties from sales in all those other marketplaces will now be currency converted into your US$ account.
If or when your US$ account balance reaches above US$100 you can transfer to your Australian bank account.
In my case, I have my Amazon US$ account balance transferred to my Payoneer US$ account (lower withdrawal threshold). Amazon’s US$100 withdrawal threshold does not apply here.”
Barbara Canin Stirs the Pot
Feisty independent author Barbara Canin decided to make her aged care home the focus of her latest book. The resultant book is trenchant, witty and somewhat controversial.
“I’m trying to show the funny side of living in an old age home. There’s a funny side too. It’s hilarious, you have no idea how hilarious it is, Canin said with a smile.”
Mary Garden on Cults
Author Mary Garden writes about her experiences with gurus in the 1970s.
“I don’t know what it was in me that had the courage to write my book well before its time ‒ to expose the little bastard and others like him, to warn others ‒ but that’s the one good thing that came out of it all. ”
Plantea in Posterum exhibition by Ellen Hansa
Ellen Hansa, author of the excellent Dante’s Trunk is holding an exhibition of her botanically-themed ceramic art. She writes that the “opening of my exhibition was quite amazing filled with stories, poetry and song.”
‘Plantea in Posterum’, plants of the future, was a challenge which kept me busy for almost 12 months. Usually I make my work to be put into a garden, threading the pieces onto star pickets which are securely hammered into the ground. I had to devise a way to be able to display my work in a gallery as well as in a garden or on a patio. On top of that everything had to fit into my car and I had to be able to lift the pieces. The sculptures can be dissembled for easy transportation.
My ceramic career started over 50 years ago, when I fell in love with clay and its possibility to mould it into all kinds of shapes. Pots, tiles and sculptures, I made it all. All these items I start by drawing the shapes and working out the colours. Only then I begin with the modelling, the firing and the glazing. For this exhibition my inspiration came from my garden.
The exhibition will continue until December 11. Edge Galleries are open weekends 11am-3pm
