Information and tips, focusing on publishing, publicity, promotional ideas, author profiles, design resources and more.
To view many and varied samples of our cover and book design work, try some of the links below:
Print folio by category: http://workingtype.com.au/index
Book Folio: http://workingtype.myportfolio.com
Full design archive: https://goo.gl/photos/6dzV55fEW6GgGVE59
Reedsy: https://reedsy.com/luke-harris
Recent Design Work and Blog Posts: http://www.workingtype.com.au/blog
Twitter: workingtype
The usual wide variety of topics and typefaces and approaches this month. Never a dull typographic moment…
A few of our recent covers and cover drafts, covering the usual broad range of subject matter. Striving for high contrast and high impact and interesting type combinations.
Steve (right) with Jesse Heath, OzHpv Challenge 2021 Photo John Hagan
There is a saying in recumbent bike manufacture, “The best way to make a small fortune making bikes is to start with a large fortune” and the same thing can be said about self-publishing a book. Its hard to rely on self-publishing to make money. It might happen, but don’t bank on it! In the first instance self-publishing should be about wanting to get your message out.
To get to my book story, I have been building and designing bikes since about 1987, went on the first long-distance rides on bikes I’d built around 2000, and wrote the first version of my Cycle Zoo book in about 2009. Back then I wrote, edited, illustrated and laid out the whole book, and supplied finished pdfs to Publishing Solutions. They then organised the ISBN and printing of about 1000 copies.
After that it was up to me to sell and distribute the books but that was difficult. Sometimes I’d take books to bookshops to sell, and they’d never pay. It was impossible for me to sell all the books, so I still have boxes of books in the back of cupboards at home. However the first edition of the book helped with entry into an industrial design master’s degree which gave me paid work designing bikes for 2 years. Putting it out was worth it just for that.
I’ve stayed in touch with a couple of the contacts I made after the first book. I designed a cycling board game and Anki Toner put that on his cyclingboardgames.net website. Link here. And I was interviewed by Chis Starr at 3cr. I usually attend local recumbent bike gatherings and this didn’t stop. As well I’ve kept on building bikes, and became the editor of the Australian Human Powered Vehicle Magazine Huff.
Somewhere along the way I got the urge to write a book came again, and I had enough new material to add to my previous book so set about rewriting Cycling Zoo. Fairly early in the process I got editor Neil Conning and book designer Luke Harris on board. I conversed with and interviewed a few people involved in cycling to broaden the book’s appeal, and I’m happy how the stories came out. So Adam Hari about spoke about speedbikes, Gayle Potts about refurbishing bikes for refugees, Nell Sudano about electric bikes and teaching cycling, and Alyson Macdonald about boardgames and her cycling.
Publication for the new book is by print on demand, so the book is available anywhere in the world, and is printed in quantities as small as one in the nearest printing centre including Melbourne, the UK and the USA. I have ordered and sell or give away copies for myself, family, friends and reviewers. Normally I will give away books to reviewers. An example is Chris Starr who volunteers for and runs the Yarrabug Cycling show on 3cr.
Where to buy Steve’s book:
After a phone interview with Chris, she mixed the show and put up a podcast page for the show, a resource I can use to let people know about the book. She deserves at least a free book for her efforts. The weblink is here .
Anki Toner really only wants to document every cycling board and card game no matter how obscure, and a lot of these are based on European races such as the Peace Race, Tour de France, Vuelta D’Espana and Giro D’italia. An example is here, analysis of the games is well researched and concise. But he was happy to showcase a new game I had developed and put online, called Cycle Challenge. He’s included a link to my book page in his excellent coverage of my game which is all you can ask for.
Adam Hari features in my chapter about speedbikes, which are fully enclosed, highly aerodynamic cycles designed to break speed records. I was happy to mail him a book at cost, and he was happy to publicise it on his Instagram, showing a video of the book pages involving him and his machines.
Coming up in early October I will be part of the Laidbackbike report Youtube series but meanwhile I will continue improving websites, contacting potential reviewers, contacting those mentioned in the book, and working on ebook versions. I put a book poster on the side of one of my bikes yesterday and have already been asked about it (a mum and her kids caught up to me on their electric bike and were chattering furiously) so will work on improving that too.
Have fun promoting your book. Selling oodles of copies and making money might be your initial aim but you might come away with something more valuable..
Leaning trike with poster.
A few recent book covers, from thoughtful spiritual tomes to legal advice…
The usual variety of subject matter — book cover design is never boring. Literary fiction, crime fiction, children’s books, business advice and local history. “Fragile Power” uses variable typefaces (Acumin), which is a powerful new design tool.
The usual wide range of subject matter and design treatments. Never a dull moment…
A recent cover design for Mundaca, an accomplished work of fiction combining Generalissimo Franco, the Basques and Australian surf culture. Spotted on the shelves of the Village Bookshop in Noosa.
Ganga Powell’s lovely children’s book “Do Mutton Birds Have Maps and Other Poems” (brilliantly illustrated by Eileen Curd) has been selling very well at Blarney Books and Art in Port Fairy. Here’s the Facebook post from the bookstore in question. If you can’t make it all the way to Port Fairy, the book is also available on Amazon and Booktopia.
The benefit of a good cover design is that it has the potential to turn a curious or potential buyer into a purchaser. For the author, a striking book cover is the most powerful marketing tool which can mean the difference between the success or failure of a book.
Approaching a designer
When considering having a cover design created by a professional graphic artist the author must have a clear idea of what would be the ideal finished product. However, that is not to say that the designer's flair should be constrained. By paying for expertise in graphic design, a certain amount of freedom is granted to the artist to be 'creative'. Constant communication throughout the design process will mean that feedback can be exchanged which should allow for the author to receive a finished cover design that will be fit for purpose and not merely what the designer wanted to produce.
It should be remembered that the role of a 'brief' should be to provide succinct instructions while allowing the designer the freedom to be creative. A creative brief will provide a useful framework in which the designer can work within margins without having creativity compromised. The author should provide guidance only, regular and honest feedback will be the secret to developing a successful cover design. The author must make clear to the designer any information regarding items which 'must' appear in the design.
For the designer to be able to use his creative skills to the full it will be necessary for the author to provide a precis or synopsis of the contents of the book to allow the designer to 'get a feel' for the content and style of the work. The genre and target audience should be discussed to enable the designer to select the correct styles and fonts for the cover. The demographic, gender and age of the target audience should be made clear. If the book is part of a series, the author should provide details of fonts, colour schemes and any famous logos as part of branding already in use. Precise details of sizes, resolutions and file formats should be provided to the designer to allow for continuity in the finished product.
Dealing with technical issues
Throughout the process of designing the cover, it will be important for the author to remain in contact with the designer. At this stage it will be necessary for the size of the cover to be discussed along with its utilization; will it be used as an e-book cover, for a traditional printed book or both. This information will be necessary as the designer will need to know the dimensions and the amount of space there is to work with.
The wise writer will utilize the designer’s expertise, creativity and experience to produce the most appropriate artwork for the book cover. Try not to be too rigid in requirements and give the designer freedom to work without the author indulging in micro-management of the project. There are various colors and fonts which will appeal to the different reader groups and genres. Give any information concerning specifying colors or any preferred fonts. These elements will set the tone of the cover and should reflect the content of the work as close as possible. Constant communication between author and designer can build trust and bring about high-quality results.
By looking at other, similar books already published it will be possible to understand what colour schemes, images and fonts are used on the most successful titles. As previously mentioned, a carefully crafted cover can turn potential purchasers into buyers, particularly in the case of e-books, where the cover is the thing that will, hopefully, attract the interest of potential buyers.
Conclusion
When consulting a graphic designer to provide a cover for a book the designer must be given a complete oversight of what the subject matter and content of the book concerns. This would be achieved in an ideal world by the designer reading the complete text, unfortunately, it is generally impractical. The author should therefore provide a synopsis of the text contained in the book to allow the designer to get 'a feel' for the project.
The author and designer must agree on terms regarding consultation during the development of the cover so that any modifications can be made before the project has advanced too far. There must be a very high level of trust between the two parties if the project is to be a total success. When evaluating the progress of the project, the author should be 'firm but fair' in any criticism of the work provided by the designer. Conversely, when the work is considered to be of a high standard and entirely acceptable to the author, praise should be forthcoming and positive feedback given regarding working with the designer.
Providing the designer with an accurate precis of the subject matter, offering support and assistance during the process and allowing the designer to 'do his job' will result in a final cover which will be a huge asset. The promotion and ultimate sales of the book will benefit and it will be a useful addition to the portfolio of the designer. This will be a win-win situation for all concerned.
Author Bio: Kieran Fallon is the owner of a Dublin Graphic Design Agency Éire Graphic Design. We are here to help your organisation become more memorable through designing striking logos, eye-grabbing flyers, posters that pop, exciting animated emails and dynamic lightweight digital advertising campaigns – always backed by flexible and insightful support.
Books with compelling content are often passed over due to ineffective promotion. Convincing people to read a book is quite different from convincing them to buy clothes, cars, and houses.
We’ve gathered a few useful strategies to promote your book:
The old saw runs “Don’t judge a book by its cover.” But people do judge a book by its cover. A 2017 study revealed that a whopping 52% base their decision on the jacket artwork.
Work with professional book cover designer in conveying the right message, attracting the right audience. Your ideas will be the basis of the design, while the artist manipulates the elements to arrive at a professional, attention-getting result.
Author-designed covers run the risk of potential readers identifying the work as self-published, and therefore passing over it.
“As of January 2020, over 3.8 billion people are using social media. This means that by simply introducing your book through Facebook, Instagram, and Twitter, you could stir the interest of many. However, you will have to optimise social media use for this happen.”, said Alistaire Clare, Credit Capital’s business consultant.
Social proof is vital in earning recognition. With an official page, it will be easier for potential readers to find your book. Make sure to include the following:
A high-resolution photo of the book
A photo of yourself with a short biography
A snippet about the book
Some testimonials from those who’ve read your book already
Facebook ads are also useful in reaching specific targets in terms of location, gender, age, and preferences.
Avid book buyers visit local bookstores to hunt for old and new masterpieces. So, make sure not to miss this fanbase. Here are 21 charming bookshops in Australia.
Many local bookstores regularly feature new authors. Often, they also have a relationship with local book clubs that could review your book.
Prepare a good pitch, explaining how the bookstore can benefit from your book.
Ask if you could display promotional banners and posters.
Plan an entertaining presentation
Hold a live Q&A
Sign books for free or hold small contests
If things go well with local bookstores, you might contemplate further events in larger venues.
It’s essential to gather as many reviews possible, mainly if you’re selling online. Books with more reviews get more visibility. They also create an impression that the content is promising.
Search for book reviewers who are interested in your genre. Ask them to leave an honest review. You might have to send a free copy, but that’s totally worth it, especially if the reviewer has a large following. Here are some great choices:
Aussie Reviews
Booktopia
Ragamuffin Books
Readability Australia
Lost in a Good Book
Goodreads
Also. try sending a letter to Australian Book Review. ABR is an independent, non-profit magazine that publishes book reviews.
Are you an independent author who wants to have a professionally-designed book? Working Type offers design, layout, and print solutions that can transform your manuscript into a best-seller. We also assist in e-book publishing and digital and print promotions. Contact us now for more information!
A few recent cover drafts from Working Type Design, covering the usual range of genres and subject matter.
Jacqueline Hodder, author of the fine historical drama “The Sentinel” has some kind words about the cover design process at WorkingType Design, and also some very interesting thoughts overall on the process of bringing out a work of fiction and getting all of the elements right.
The usual range of topics, with typefaces ranging from Alternate Gothic to Molde to Bourton Layered and ITC Avant Garde.
We have been working on the usual variety of book covers, covering everything from world championship athletes to an 18th century convict fleet. We strive for impact, high contrast and uncluttered design.
Jacqueline Hodder’s excellent book The Sentinel is out now. She reports satisfaction with the cover design, which was a very interesting task involving lighthouses and persons in period attire. And who doesn’t like working with louring skies and dramatic storm-torn coastlines? Here is the bliurb for Jacqueline’s book:
“Escaping from a disastrous relationship, Kathleen Devine flees to an isolated lighthouse off the Victorian coastline. Taking up the position of Head Teacher to the lighthouse keepers' children, she is ensnared in the lives of those marooned on the lonely outpost and soon realises no-one can escape their past. When the fearsome Head Lightkeeper, Mr Johannsson forms an unlikely friendship with the daughter of one of the keepers, it threatens to destroy their fragile peace. Can Kathleen find the strength to survive and answer the question that haunts them all: what happened to Isabella and why?”
Available here: https://www.amazon.com/Sentinel-Jacqueline-Hodder/dp/0648899403/
A wide range of topics and treatments in our recent cover work, from Vienna to Byron Bay, outback tall tales to environmentally sound tips.
Craig Mallett’s “Dancing Between the Opposites — A daoist guide to balance and self-cultivation” has just been published and is now available online and directly from Craig. The title is available at Amazon and Book Depository in addition to other outlets. An accompanying page has been set up at the author’s website. WorkingType typeset the title, with excellent illustrations and cover design by Pelin Ko.
“Drawing on his extensive experience across traditions in meditation, Daoism, and other forms of self-cultivation, coupled with his background in Martial Arts and many other forms of physical movement and exercise, Craig Mallett brings his readers a guide that is both practical and spiritual. His approach to the Da Xuan tradition of Daoism will help those interested to engage with its ideas and practice their application. ”
A variety of new cover designs dealing with a broad range of subject matter.
